Download Architecture and Disjunction (The MIT Press)
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Architecture and Disjunction (The MIT Press)
Download Architecture and Disjunction (The MIT Press)
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From the Back Cover
Architecture and Disjunction, which brings together Tschumi's essays from 1975 to 1991, is a lucid and provocative analysis of many of the key issues that have engaged architectural discourse over the past two decades--from deconstructive theory to recent concerns with the notions of event and programs.
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About the Author
Bernard Tschumi is Principal of Bernard Tschumi Architects, New York and Paris. He was dean of the Columbia Graduate School of Architecture from 1988 to 2003.
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Product details
Series: The MIT Press
Paperback: 280 pages
Publisher: The MIT Press; 3rd Edition edition (February 28, 1996)
Language: English
ISBN-10: 0262700603
ISBN-13: 978-0262700603
Product Dimensions:
6 x 0.8 x 9 inches
Shipping Weight: 15.5 ounces (View shipping rates and policies)
Average Customer Review:
3.0 out of 5 stars
6 customer reviews
Amazon Best Sellers Rank:
#342,631 in Books (See Top 100 in Books)
Other reviewers appear to rave about or hate this book. As a collection of essays it wasn't bad, but it didn't shine either. I think it is still relevant today (2016), but appropriate as a text in a larger architectural library consisting mostly of theory. A few of the best quotes I found are below and are representative of the language and style of the text."1. There is no architecture without action, no architecture without events, no architecture without program.2. By extension, there is no architecture without violence.†(p.121)"Spaces are qualified by actions just as actions are qualified by spaces. One does not trigger the other; they exist independently. Only when they intersect do they affect one another." (p.130)" S E MSpace Event MovementThe final meaning of any sequence is dependent on the relation space/event/movement. By extension, the meaning of any architectural situation depends on the relation S E M. The composite sequence SEM breaks the linearity of the elementary sequence, whether S, E, or M." (p.162)
Gotta love Tschumi and his wacky theories. Helped me look at architecture a different way.
The item was not properly packaged, so when I received the book in the mail, it was damaged. The item was bent and torn on not only the cover, but several pages into the book.
In an amazing collection of essays, Tschumi criticizes both modernism objectivity and post-modern nostalgia. His most important proposition -- that there is no cause and effect relationship between function and space -- is a kick in the teeth of functionalist thinkers. Instead of "form and function", he proposes an architecture based on "space, event and movement", in which the conflit and contradictions between the terms of the equation is its most relevant aspect. "Architecture and disjunction" is a Pandora's Box -- some of the questions it proposes are painful and disturbing (like "what is space?", for instance), but have been overlooked long enough. To paraphrase Morpheus in the movie "The Matrix", "you can take the blue pill, and believe whatever you like, or you can 'read the little red book', stay in Wonderland, and I'll show how deep the rabbit hole goes..."
If the architecture of Frank Gehry, has been described as a movie composed entirely of special effects, then Tschumi's is like special effects that don't quite come off. Herbert Muschamp, the modernist cheerleader who is the architecture critic for the NY Times, began his review of Tschumi's Lerner Student Center at Columbia University by saying "By now, everyone knows that Bernard Tschumi's new Lerner Hall is a dud." And City Journal described his work as ""an agitated, irrational mix of limestone, brick, metal, and glass... giving the impression of a building on the edge of a nervous breakdown." Journalist Robert Locke has written, ""Tschumi's theoretical writings, the basis of his reputation, are a tangled mess that alternately induces dizziness and puzzlement as to whether the author actually knows what philosophy is, or merely heard it described by someone in a bar once ...... The worst of this stuff is so self-evidently empty as to defy attack". - It only remains for you to ask yourself whether you are one of those fools who will be taken in by this confidence trickster who has ruined the cities we live in, or whether you will move on to more intelligent reading. [Hint: Try Louis Kahn. It's a good start!]
This book was required for our studio (third year), and I am very glad that it was. I found it to be thought-provoking and helpful to my studio project.
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